Part A · the wrap
Your shawl is never cut. The brown piece is separate and attaches with ties (reversible) or one seam along a shared edge (permanent, still uncut). Diagrams below are line drawings — each shows the same body from the angle that matters for that step.
The five moves, in words
- 1 · Centre — shawl across your back, one tail over each shoulder, both tails level
- 2 · Cross — left over right, once, low on the chest
- 3 · Lift — both hands on the slack behind your neck, bring it up and forward over the crown
- 4 · Seat — front edge just above the brows, tuck the loose fold under itself at the temple
- 5 · Pin — long tail across the chest, pin the shawl to itself at the shoulder
Motion is the one thing a drawing is bad at. Watch it once: 30-second scarf-into-hood demo · the lift-over-the-head step at 7:19
Part B · the chest rig
Nothing touches your shirt. The rig is a separate harness: two fabric straps that cross on your chest and tie behind your back, with a laser-cut acrylic plate hanging off them. Take it off and the shirt is exactly as it was — no pins, no glue, no stitching.
Why these materials: fabric, thread, acrylic, cardboard, acrylic paint, the laser cutters and the sewing machines are all on the Nest's published equipment and materials list. No webbing or paracord assumed — the straps are cut from the same brown fabric you're already buying.
Timeline for the evening
- 5:35 — sign the Code of Conduct, get fabric approved, ask staff to thread a machine
- 5:45–6:15 — hem the brown piece (both long edges)
- 6:15–6:40 — four ties (Option A) or one seam (Option B)
- 6:40–7:10 — cut the two straps, sew them, practise the wrap three times
- 7:10–7:35 — laser the acrylic plate (book the laser, it's the only reserved machine you need)
- 7:35–7:55 — tie the plate on, paint the dust, dress check